Thomas Hudson

(contemporary)


Maulstick

2018

oil on board

24-1/4 x 17 inches

signed

Thomas Hudson is a Cleveland-based painter and draftsman whose work combines precise observation with an interest in African American history and the dignity of everyday life. Working primarily in pencil and oil paint, he approaches realism through carefully rendered anatomy, expressive gestures, and close attention to clothing, objects, and settings. His career encompasses medical illustration, commercial publishing, commissioned portraiture, and independent fine art.

Hudson graduated from Ohio’s Cooper School of Art, where he earned a certificate in Production Art. He began his professional career as a medical illustrator for AcroMed Corporation, working there for nine years before establishing a freelance illustration practice. His clients have included Golden Books Publishing, Chelsea House Publishers, the American Cancer Society, University Hospitals, and the Cleveland Play House. This background provides a context for the anatomical precision and clarity evident in his paintings and drawings.

His ongoing series, Reminiscent: Our Times Before Yesterday, explores African American life from the late nineteenth century through the mid-twentieth century. Rather than concentrating exclusively on prominent historical figures or momentous events, Hudson gives attention to ordinary people and the details of their daily lives. Expressions, gestures, dress, and surroundings become essential elements of his storytelling. Grounded in research and a commitment to historical accuracy, the series encourages viewers to encounter the past through individual experience.

Hudson continues to maintain his studio practice in Cleveland, producing commissioned portraits alongside personal projects. Recent recognition includes selection as a 2025 Creative Impact Fund artist by Assembly for the Arts. His work is also included in Portraits & Expressions at Corridor 106 Gallery in Cleveland’s MidTown Collaboration Center, an exhibition scheduled to remain on view through January 2027. These activities place his longstanding commitment to realism within the city’s active contemporary arts community.

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Manuel Hughes (b. 1939)